Scary Breakfast Goodness

1971 was a landmark year. Sure, every year is significant for something, but our story begins in 1971, so play along. That March, General Mills released the “Monster Cereals.” The lineup was twofold. Frankenberry, who was a cartoonish version of Frankenstein’s monster. He had a Boris Karloff voice and a vaguely strawberry-ish flavor. Next up was Count Chocula: a kid-friendly vampire parody of Bela Lugosi with hints of chocolaty goodness. For us Monster Kids, they were amazing! They turned the milk pink (or brown—see above), and were an instant hit. The Saturday morning commercials, strategically sandwiched between cartoon episodes, involved the 2 mascots arguing over which cereal was better. The following year, a third was added; Boo Berry was a blue ghost who sounded like Peter Lorie, and—see a pattern here?—turned the milk blue.

They were initially available all year, but eventually shelved and brought out of the attic (or dungeon…whatever) just in time for Halloween. Along the way, a fourth and fifth were added. Frute Brute, which was originally spelled like the produce, but changed for some reason, was a werewolf. And Yummy Mummy (You guessed it – a spider. No? Moving on…), like Frute Brute, came into and out of the line-up for several years. In 2014 GM got the whole band together in retro-style boxes; and, finally, the ‘Fab 5’ were on the shelves together.

Obviously, I had to buy all 5; and I saved the boxes for posterity. I’m sure they will grow exponentially in value and will probably put future generations through college.

The most recent monster in the line-up

A couple years ago, a new, limited-edition character was introduced—Carmella Creeperan interesting addition. First of all, she was a SHE—a ghoul for the girls, while all previous characters had been male. Also, she seemed to represent both the Gen Z and Rave demographics, and was less influenced by Gothic horror. Carmella’s a cool zombie disk jockey in the form of a green caramel apple-flavored cereal. She is also supposed to be Frankenberry’s cousin. The lore doesn’t really hold up to scrutiny, but it’s cereal canon, not Tolkien or Star Trek; so let’s cut them a break. Sadly, Carmella was only around for a couple of years. I’m hoping she’ll make occasional appearances in the rotation.

It’s almost Halloween – my favorite holiday! But oddly, I haven’t found the monster cereals in the stores this year. On the Internet, I can see that they have been making the rounds, and even had some sort of Muppet character crossover. They’re just not in any of the grocery stores I’ve been frequenting. I’m going to be on the lookout next year. They are not sneaking past me again. I’ll be waiting…and watching.

(Cue the evil laughter track.)

Now, truth be told, I don’t need more zero-nutritional value, fiber-poor, simple carbohydrate calories in my diet. But, C’mon; it’s a 54-year tradition. A couple boxes of artificial flavoring won’t kill me. It probably won’t. Right?

So, if you find yourself hunkering down for a sweet, pastel-colored bowl of scary goodness, give a nod to your horror pals that made it all possible. And maybe lift a spoon to your old buddy Toph, too. Okay?

Happy Halloween –

-Toph

Stop the Film!

Happy (belated) Birthday to the late Ray Harryhausen – the original Grand Master of movie model animation. His creations were the heart of 16 feature length movies (as well as 5 short films) between 1949 and 1981.

Photo from the May 2013 NY Times article, reporting Ray’s death at the age of 92.

His best remembered creations were fantasy monsters and giant prehistoric animals. The term “Dynamation” was coined to market his techniques. It’s a combination of “dynamic” and “animation,” and refers to seamlessly merging live actors with stop action animation puppets.

Imagine the painstaking process of sculpting and hand painting armature characters, moving each in tiny increments, and photographing them one frame at a time. After that, sandwiching the images (a foreground scene featuring live actors, the animated monster, filmed one frame at a time in the middle-ground, then another scene filmed for the background) into a single, moving 3d image.

Ray saw 1933’s King Kong as an adolescent, and it began a lifelong dedication to making impossible fantasy characters become real. And it led to a lot of inspiration in its own right. Peter Jackson of Lord of the Rings movie fame and Guillermo del Toro, creator of Pan’s Labyrinth, both cite Ray Harryhausen as their major influence. Likewise, Steven Spielberg (a la Jurassic Park) and James Cameron (Terminator) praise his groundbreaking visual imagery. And try to picture George Lucas’ Star Wars movies without model making and 3d image manipulation. They all achieved success standing on the shoulders of giants. (Giant monsters, but giants nonetheless.)

So many of his scenes are memorable that it seems impossible to choose his best. Instead, I’ll show a few of my favorites.

Although the swordfight is great, I really like the movements as Kali comes to life beforehand. (The Dr Who fans among you may recognize the evil sorcerer bringing her to life.)  A casting of the Harryhausen Kali figure sold at a memorabilia auction last fall for over $240,000.

 

When the titan Talos awakens…that’s some creepy stuff right there!

 

And perhaps the most iconic of all – the skeletons, also from Jason and the Argonauts.

Sophisticated modern audiences sometimes see the action as “fake” or “cheesy” because it doesn’t look real. I’ll agree to disagree.  Although we can see how a magician performs a particular trick, it doesn’t mean we can’t appreciate the skill.  And his art is truly movie magic!

His work combines 3 of my favorite things – movie monsters, swords and sorcery, and scale model building. This fall, I’ll get to see the Ray Harryhausen exhibit at the Mini Time Machine Museum of Miniatures.  I suspect it will be amazing!

-Toph

Which of Harryhausen’s creations do you remember most fondly?  Be sure to send me an email to let me know!

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